Writing Style

Photo Update!

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Today I have Spent quite a lot of time working on the lettering in the top right hand corner of the piece. It took a while to get used to the technique I found that best replicated the writing on the panel, but once I had the hang of it I believe it worked very well.
I then spent the rest of the day focusing on the detailing of the main structure; this may not have been the best idea as I realise that I have left the figures until last and I believe that they will be the most difficult and detailed parts of this piece.

Photo Update

Photo Update!

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I believe the height is alright for the main structures and have started to fill in the spaces where the figures will be. I have focused more on the approximate height of bodies than the actual features so far to make sure it all looks proportional.

I have also discovered that I will have to fill in a lot of the empty space that is shown in the images of the panel in order to make sure that the casting process works well. For example: the area behind the little bridge wall will have to be solid to avoid any issues with the making of the silicone mould.

Day 2

Photo Update!

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I have been focusing mostly on trying to get the right height for the structures, which will have to fit well with the figures when I get around to them; it is difficult to make it as exact as possible when working from flat images.

Note to self: it would have been useful to see in person. It might be a good idea to go back to the V&A when the exhibition opens again.

Beginning the Process

In the process of recreating the door we are choosing and replicating a singular panel each; as there are 6 of us that will be modelling these we will be producing a panel each (which will be cast twice) and another panel between the group in order to make sure that the correct amount of panels will be made. We will also be modelling and casting the rosettes and barley twists as a group so that we can evenly split the timing.

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I have chosen to work on the “Annunciation” panel. I believe this panel is showing us the scene when Mary is old that she has become pregnant by the Angel Gabriel.
I chose this panel simply because I thought it was the nicest to work from in terms of detail; I was certain that I wanted to work with an angel because the wings fascinate me.

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For today I have drawn the outlines of the figures, structures and writing, in order to make a start on the modelling. I am using plasticine to model with as it is easily shapable and becomes firm when cold.

 

Porta Di San Ranieri

This term we are creating a replica of the Porta Di San Ranieri of Pisa. We will be looking at different materials that can be used in casting processes in order to produce a replica of the door to scale. (We will only be focusing on one of the doors between 7 of us.)

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This door was created by Bonanno Pisano in the late twelfth century and originally resided in the Cathedral of Pisa; it miraculously survived a fire that destroyed the cathedral in 1595 and is now preserved in the Museo dell’Opera del Duomo. The door is made up of twenty-four bronze plates, which are fixed by frames applied to the wooden support structure by iron nails that are hidden by the bronze rosettes.

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The panels on the door tell the story of Jesus in scenes (reading from the bottom up, horizontally, from left to right) from the New Testament.
Panels as named and translated from Italian to English:

  1. Sei Profeti – Six Prophets
  2. Sei Profeti – You prophets
  3. Annunciazione – Annunciation
  4. Visitazione – Visitation
  5. Natività – Nativity
  6. Cavalcata dei Magi con Peccato originale – Cavalcade of the Magi with Original Sin
  7. Pravalcata dei Magi con Peccato originale – Presentation in the Temple
  8. Fuga in Egitto – Flight into Egypt
  9. Strage degli Innocenti – Massacre of the Innocents
  10. Battesimo – Baptism
  11. Tentazione – Temptation
  12. Trasfigurazione – Transfiguration
  13. Resurrezione di Lazzaro – Raising of Lazarus
  14. Entrata a Gerusalemme – Entry into Jerusalem
  15. Lavanda dei piedi – Washing of the Feet
  16. Ultima Cena – Last Supper
  17. Bacio di Giuda – Kiss of Judas
  18. Crocifissione – Crucifixion
  19. Discesa al Limbo – Descent into Limbo
  20. Resurrezione – Resurrection
  21. Ascensione – Ascension
  22. Morte della Vergine – Death of the Virgin
  23. Cristo in gloria – Christ in Glory
  24. Maria in gloria – Mary in Glory